Apologies for no posts in several months, life has been a little rough on me lately. perhaps I'll elaborate on this in a future post, but I kinda doubt it.
So, I saw "Cloverfield" this weekend. When it comes to movies, I know myself pretty well. I have a fairly good radar for knowing which movies I'll like, and which ones look just plain idiotic. In the case of "Cloverfield", the intentional shroud of mystery and almost complete lack of description did exactly what it was supposed to: intrigue me into wanting to see it.
As I explained to my friend Becky, I tend to go for more artsy or dramatic movies, the occasional smart comedy, or maybe a surrealist mind-bender like "The Fountain". Honestly, I don't have a favorite genre, as long as the movie is good. In the case of big-deal blockbusters like "Transformers" or "Terminator 2", I also have moments of weakness, when something looks just so god damn cool that the possibility of
not seeing it on the big screen is unthinkable. "Cloverfield" struck me as one of these. I did not have very high hopes, as these larger-than-life (in this case, literally) flicks are almost always a bunch of awesome eye-candy sprinkled over a plot that is so weak and full of holes that I have to groan aloud.
Well, the movie exceeded all of my expectations. Plus, it scared the living bejesus out of me, which is not easy to do with celluloid.
I can't really say much more about the movie itself, that's kind of the whole gimmick. The plot is really too simple and straightforward to elaborate on, but basically think "Blair Witch Project" meets "Godzilla". However, there is one thing that really bothers me about the whole concept, which has little or nothing to do with the movie itself. Apparently, some
critics out there have accused "Cloverfield" of being "opportunistic" and insensitive to the memories of the 9/11 attacks on the World Trade Center, and intentionally recalling images of dazed, bleeding people wandering around in a cloud of debris and dust to invoke those horrific attacks.
My personal response to this: So fucking what?
As we have heard countless times (especially from
Rudy Giuliani), 9/11 Changed Everything. Did it also change us into a bunch of self-indulgent, crippled babies who will gladly use 9/11 as a pretense to endless warfare and xenophobia, but express outrage and curl up into a fetal ball when it's even hinted at in a film? Perhaps people of this bent are not familiar with the phrase "art imitates life". 9/11 happened. It's not forbidden to allude to it in a film. Look, "Cloverfield", regardless of the secrecy of the plot, is obviously about some kind of giant thing making a huge mess of New York City. You'd have to be an idiot not to realize this. If it bothers you, don't see the movie. Simple as that.
I understand it's a sensitive issue for many of us, but this should not, and MUST not dictate, what is acceptable or not in the arts. Hell, Adam Sandler and Don Cheadle were in a film last summer that was entirely based on the concept of a guy losing his family in the WTC attacks, and going totally nuts because of it. At least, that's the impression I got from the trailer.
Take a look at Japan. Their culture, especially in the realm of film and animation, has become completely infused with the idea of nuclear war, nuclear apocalypse, and nuclear weapons bringing about catastrophic doom. Ever wonder why? It's because we DROPPED GOD DAMN NUCLEAR BOMBS ON JAPAN, completely vaporizing two of their largest cities in a span of 3 days. Of course it's going to be on their minds! Yes, it changed everything.
We are not the only culture or the only nation that has experienced horrible attacks. In fact, perhaps the reason 9/11 is such an effective bogeyman for us is that it's the first time we can remember that WE weren't the ones blowing some shit up! Firebombing in Dresden, aspirin factories in Sudan, god knows how many hundreds or thousands of buildings in the Middle East, bombings and destruction of villages and mass-murder of civilians in Southeast Asia, two entire CITIES in Japan. The list could go on forever. But when someone attacks the US, we imagine that we're somehow special; exempt and perfectly insulated in this regard. Yes, it was tragic, yes it was horrifying and bloody and unbelievable and BAD, but the idea of editing the Twin Towers out of films that had already been shot at the time, and expressing outrage and pointing a finger of shame at those who would revisit that scenario seems a little ridiculous to me.
In the spirit of Halloween and scary thoughts in general, here's a sketch of an in-progress piece that I consider something of a departure for me. It all started about a year ago after a few terrifying nights reading H.P. Lovecraft stories before bed. I decided to create something of my own based on all of the elements of Lovecraft's work that I found most terrifying.
At any rate, recent events, travels, opportunities, projects, and relationships have inspired me to get back into the habit of blogging on the regular. After a mind-boggingly frustrating series of edits and modifications to my homemade blog template (I refuse to use any of the pre-packaged stuff that Blogger provides...ewww), I think I'm ready to begin. All I need now is the spare time, which lately has been a most precious commodity, but I feel it is necessary to make the commitment.